Starving Winter Report Lp
"There's no best song here; the whole album is great. It's loud, loose, ragged and not far removed from a stomping, beer-swilling masterpiece." - Paste Magazine
"Like anything built in Detroit, Deadstring Brothers are a sterling example of
American craftsmanship, with finely tuned organ vamps and smooth-riding
harmonies." - Pop Matters
"There's lashings of white soul among the country honk, augmented by fat
horns, the keening vocal back-ups of Masha Marjieh and Ross Westerbur's
spiky piano runs. Fans of Marah, Drive-By Truckers and Slobberbone will
find much to savour in the dark corners of this fine music." - Uncut
"Fusing bluesy Rock swagger and the hard Country flourishes of dobro
and shimmering pedal steel with pure Pop piano pounding,
singer/guitarist Kurt Marschke leads his unruly gang of Motor City
anti-heroes through tales dripping with stark imagery and broken
hearts." - City Beat
"A rollicking good time album, which knocks most of the 'Americana'
movement into a miserable cocked hat. Starving Winter Report is an
album that grows from first listen." - Guardian Series (UK)
"For all the posing, posturing stuff that gets released every week of
the year, there are always acts like Deadstring Brothers - the sort of
group that looks back at the ever-lengthening history of rock music,
pinches the best bits and still comes up with something that sounds
original, if not classic." - Erasing Clouds
"Many great names are bandied around, Jayhawks, Wilco, Gram Parsons,
and even the Rolling Stones; all valid but none really capture the
appeal of the Deadstring Brothers." - Maverick
Deadstring Brothers Lp
"Better still, the Deadstring Brothers do things the way even mean old
Merle Haggard would surely appreciate: Bakersfield grit rather than Nashville
polish, and none of the half-arsed shambling that passes for so much Americana
these days either." - Q Magazine
"This is real steel, and plenty else too. A fine album from a band who
sit uncomfortable and warm." - Mojo
"Seriously impressive." - Uncut
With wistful, sad-eyed ballads and guitar-fueled mid- to up-tempo
rockers, the album is more-than-solid all the way through;
pound-for-pound one of the best roots-rock records of 2003. - Paste Magazine